Brigitte Engler

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	<title>Brigitte Engler</title>
	<link>https://englerbrigitte.com</link>
	<description>Brigitte Engler</description>
	<pubDate>Mon, 16 Aug 2021 12:57:33 +0000</pubDate>
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		<title>Vessel 01</title>
				
		<link>https://englerbrigitte.com/Vessel-01</link>

		<pubDate>Sat, 07 Aug 2021 17:17:06 +0000</pubDate>

		<dc:creator>Brigitte Engler</dc:creator>

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		<description>01Vessel 01


I call out!
I call out to hear myself!Myself is my forebearer.They hear too!Myself is my progeny’s progeny.They hear too!
Myself is the earth.
It hears too!

So we call out —
To ourselves!
Let us dance!
Let us work!Let us reflect!

We dance!
We work!We reflect!(repeated until festival is over)


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		<title>Vessel 02</title>
				
		<link>https://englerbrigitte.com/Vessel-02</link>

		<pubDate>Sat, 07 Aug 2021 17:17:07 +0000</pubDate>

		<dc:creator>Brigitte Engler</dc:creator>

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		<description>02Vessel 02


I know only simple certainty.
I entertain abstract things.I ask for godsend.
.
I work for the godsend.I dance for the godsend.
I accept for the godsend!


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		<title>Vessel 03</title>
				
		<link>https://englerbrigitte.com/Vessel-03</link>

		<pubDate>Sat, 07 Aug 2021 17:17:08 +0000</pubDate>

		<dc:creator>Brigitte Engler</dc:creator>

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		<description>
	03
	Vessel 03


I know where my powers end.I do not know the future.Change I know.
Change makes grow.

I know the power of the runes.They are my voice.Is the God the ruins? 
Is God my voice?I do not know. 
I do not know.
&#60;img width="1409" height="1844" width_o="1409" height_o="1844" data-src="https://freight.cargo.site/t/original/i/18e3f39bd1e561799a7b3be2e3750c67e42ec4043edebda0a1b12d08535f30ad/c7.jpg" data-mid="115621421" border="0"  src="https://freight.cargo.site/w/1000/i/18e3f39bd1e561799a7b3be2e3750c67e42ec4043edebda0a1b12d08535f30ad/c7.jpg" /&#62;

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		<title>Homepage</title>
				
		<link>https://englerbrigitte.com/Homepage</link>

		<pubDate>Sat, 07 Aug 2021 17:17:11 +0000</pubDate>

		<dc:creator>Brigitte Engler</dc:creator>

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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Brigitte Engler_Third Avenue ( with handprints)_ink on Rives BFK paper


 Currently, Brigitte Engler is working on several long-term projects and an artist book in collaboration with French writer-art critic Gilles Froger. Inspired by her sidewalk graffiti imprints, Froger wrote an hybrid essay situating this series in an art historical context and investigating the motivations behind the creative impulse to leave a mark on the city. 


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	<item>
		<title>About</title>
				
		<link>https://englerbrigitte.com/About</link>

		<pubDate>Sat, 07 Aug 2021 17:17:13 +0000</pubDate>

		<dc:creator>Brigitte Engler</dc:creator>

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Brigitte Engler is a French-born, New York-based artist. She was classically trained at L’Ecole Nationale Supérieure des Beaux-Arts de Paris, attended the Whitney Independent Study Program in New York in 1980. She wrote on art for French magazines and PAPER magazine and became immersed in the Downtown art scene, participating in curated group exhibitions such as “Anni Ottanta”, a museum show in Italy, “City Folk” curated by Carlo McCormick and Aaron Rose at the Holly Solomon gallery in NYC, “In the Detail” curated by Kiki Smith in Munich, Germany. She mounted several solo shows in France and in the US, notably at Commonwealth and Council in LA, in Brittany, France, in collaboration with a French government ecological agency and at the former squat Bullet Space in New York. Her early work is published in “A Book About Colab” distributed by Printed Matter. Her artist projects in collaboration with writer-cultural theorist Sylvère Lotringer were published by Pataphysics magazine and commissioned by Chris Kraus for Made magazine. Her exhibitions were reviewed in American art magazines and French newspapers. 
 

						Brigitte Engler’s paintings, drawings and artist books are in the Beth Rudin DeWoody collection, the Sharp Museum at Southern Illinois University (Alan W.Moore family
collection), the Vincent and Shelly Fremont collection,  the Geoffrey Young collection,   artist collections such as Sara Driver and Jim Jarmusch, Tom Otterness and Coleen Fitzgibbon collections and other private collections, the Estate of David Wojnarowicz and the Joan Flasch
Artists’ Book Collection, the School of Visual Arts rare books collection. Her zine about the folded cloth prints produced during workshops in a community garden is distributed by Printed Matter.In September 2026, Brigitte Engler was&#38;nbsp; a resident fellow at the Emily Harvey Foundation in Venice, Italy.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ABOUT the series of stitched pieces, French writer Emmanuelle &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Guattari&#38;nbsp; writes in a catalogue essay in French, translated in &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; English for a bi-lingual publication commemorating a solo &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; exhibition in Paris:
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Brigitte Engler’s stitched pieces are like pixels in a photography. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;They take us to the center of an image of the material world to &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;the point where the image dissolves itself. We are in the other &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;reality of this world, the poetic reality of the vein, the bark, the &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;structure, the primal vibrations. A little bit like Alice, we fell &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;inside a space, a vibrating and beautiful interior space where &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;circulates a secret intensity”.
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1000" height="1008" width_o="1000" height_o="1008" data-src="https://freight.cargo.site/t/original/i/e5725135b3b4069c41529ac18490a4551e13af71c7c22b17bd47e06f932f2ffb/20_Brigitte-Engler_zebra.jpg" data-mid="216890695" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/e5725135b3b4069c41529ac18490a4551e13af71c7c22b17bd47e06f932f2ffb/20_Brigitte-Engler_zebra.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; For the full exhibition catalogue essay by French writer &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Emmanuelle Guattari and links to early artist collaborations with &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; French writer and cultural theorist Sylvère Lotringer, please consult:&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; http://www.brigitteengler.com/
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="7300" height="4867" width_o="7300" height_o="4867" data-src="https://freight.cargo.site/t/original/i/4c9ec9bd95b2e9e1c9350ce84885dde2608d740da0a9eec72f1e75e2e32aa6b9/Artist-project-collaboration-by-Sylvere-Lotringer-and-Brigitte-Engler-Pataphysics-mag.-Tile-issue.jpg" data-mid="235491405" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/4c9ec9bd95b2e9e1c9350ce84885dde2608d740da0a9eec72f1e75e2e32aa6b9/Artist-project-collaboration-by-Sylvere-Lotringer-and-Brigitte-Engler-Pataphysics-mag.-Tile-issue.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Artist Project in collaboration with Sylvère Lotringer &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; published by Pataphysics Magazine
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		<title>Exhibitions</title>
				
		<link>https://englerbrigitte.com/Exhibitions</link>

		<pubDate>Wed, 11 Aug 2021 11:51:39 +0000</pubDate>

		<dc:creator>Brigitte Engler</dc:creator>

		<guid isPermaLink="true">https://englerbrigitte.com/Exhibitions</guid>

		<description>&#60;img width="7384" height="4483" width_o="7384" height_o="4483" data-src="https://freight.cargo.site/t/original/i/5e7f6e17a5a773298626f0c99323cfaf782970bf7de2f252a3d00c07b4f28a77/Copy-of-NLG_061123_20_8-1.jpg" data-mid="183613941" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/5e7f6e17a5a773298626f0c99323cfaf782970bf7de2f252a3d00c07b4f28a77/Copy-of-NLG_061123_20_8-1.jpg" /&#62;“Chance Encounters”, Solo Exhibition at North Loop, Williamstown, MA. 
June 15-July 16, 2023.&#38;nbsp;
 
&#60;img width="2000" height="2500" width_o="2000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/72b216fa17fa7a4ae6be2d36ac1ce3a1802602396d582ce9099e33e865720f2e/SpringBreak-LA-2023-curated-by-Chris-Kraus_Installations_700.jpg" data-mid="183377626" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/72b216fa17fa7a4ae6be2d36ac1ce3a1802602396d582ce9099e33e865720f2e/SpringBreak-LA-2023-curated-by-Chris-Kraus_Installations_700.jpg" /&#62;
“Brigitte Engler: New American Abstract Paintings” presented by Chris Kraus, &#38;nbsp;Solo exhibition at SPRING/BREAK ART SHOW LA 2023


 &#60;img width="4982" height="7078" width_o="4982" height_o="7078" data-src="https://freight.cargo.site/t/original/i/73c1d1e776588dcc3aa26d78d81236d73ac048926e47ab050427361b08d62cd7/Salon-Zurcher-11-Women-of-Spirit--Part-4--objets-mathematiques-pedagogiques-.jpg" data-mid="120354673" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/73c1d1e776588dcc3aa26d78d81236d73ac048926e47ab050427361b08d62cd7/Salon-Zurcher-11-Women-of-Spirit--Part-4--objets-mathematiques-pedagogiques-.jpg" /&#62;Installation at Salon&#38;nbsp;Zürcher: 11 Women of Spirit, Part 4, 2021. 
8 Panels, 1/2”x 12” x 12’. Gouache acrylic paint on plywood panels.


&#60;img width="1601" height="900" width_o="1601" height_o="900" data-src="https://freight.cargo.site/t/original/i/2f7eeb08e1a834433d8333c7204a6ed44bb1b4d6b6eee1e57e69de950aa93562/KC-3.jpg" data-mid="116725377" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/2f7eeb08e1a834433d8333c7204a6ed44bb1b4d6b6eee1e57e69de950aa93562/KC-3.jpg" /&#62;
 “One Way Street”. Detail of Installation View of Solo Exhibition at Key Club, 
NYC. February 21-March 15, 2020. From Right to Left:
 -“Objets Mathématiques (Pédagogiques)”, a series of geometric paintings on 
plywood inspired by discarded collages by school children also known as 
Froebel Gifts.&#38;nbsp;
-“Hôtel Baudin: “Chambre Numéro 5”, wool stitched on emboidery canvas(1996) 
above Robin Winters’ “Vermillion Years (night stand)1989”. 
-“Autumn Leaves”, collaboration in community garden with a class of school 
children (16 cyanotypes, archival tape), 2007. 
&#38;nbsp;
&#60;img width="2448" height="2107" width_o="2448" height_o="2107" data-src="https://freight.cargo.site/t/original/i/1525c80b931434d4a340cb4e565a474605d536c2dff5c288c033acd7c4c67e07/bulletspaceinst.jpg" data-mid="116725972" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/1525c80b931434d4a340cb4e565a474605d536c2dff5c288c033acd7c4c67e07/bulletspaceinst.jpg" /&#62;
 “Folding/Unfolding”. Detail of Installation View of Solo Exhibition Organized
by Alexandra Rojas at Bullet Space, NYC, October 2016. From right to left: 
Two Monumental Rubbings of a Figured Maple Pattern Composed of 12 
sheets of Hahnemuhle Paper Mounted on Linen and One Monumental 
Linocut of a Figure Maple Pattern (oil-based ink on 3 pieces of Arches paper, 
acrylic paint, tape).
 &#60;img width="4272" height="2848" width_o="4272" height_o="2848" data-src="https://freight.cargo.site/t/original/i/505efcf184283b1aa2b1d1fe627595f64c71a62fea5d82d610d13104b53f9d1e/shibori-meets-the-tide-still-from-video-of-installation.jpg" data-mid="116725220" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/505efcf184283b1aa2b1d1fe627595f64c71a62fea5d82d610d13104b53f9d1e/shibori-meets-the-tide-still-from-video-of-installation.jpg" /&#62;

Shibori textile. Synthetic Dyes Embeded in Cotton. Hung in the Cavernous Basement Space of&#38;nbsp; the Tidal Mill of Pen Castel open to the sea. Still from Video presented in an Immersive Art Installation in Collaboration with Le Parc, a French Government Ecological Agency. Morbihan, France, May 2014-May 2016.Art Installation with Sound, Video, Textile, Interviews About Eel Fishing Practices
recorded by the artist, Café-Rencontres.
&#60;img src="http://www.brigitteengler.com/spacer.gif" width="1" height="1" style="width: 1px; height: 1px;"&#62;&#60;img width="750" height="500" width_o="750" height_o="500" data-src="https://freight.cargo.site/t/original/i/917afd2b20a7fc12f94ee5a550a76424d667fd32cdec5dd6ff72298adde1756e/commonwealth.jpeg" data-mid="116723543" border="0" data-scale="64" src="https://freight.cargo.site/w/750/i/917afd2b20a7fc12f94ee5a550a76424d667fd32cdec5dd6ff72298adde1756e/commonwealth.jpeg" /&#62;“Nature Artificielle, Artifice Naturel”. Detail of Installation View of Solo Exhibition at Commonwealth and Council Gallery, LA, May 2013. Sidewalk Graffiti Imprints(ink on Rives paper) &#38;amp; Monumental Linocuts of Plywood Patterns (oil-based ink on Hahnemuhle paper). &#38;nbsp;


&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 

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	<item>
		<title>Resume</title>
				
		<link>https://englerbrigitte.com/Resume</link>

		<pubDate>Mon, 16 Aug 2021 12:57:33 +0000</pubDate>

		<dc:creator>Brigitte Engler</dc:creator>

		<guid isPermaLink="true">https://englerbrigitte.com/Resume</guid>

		<description>Education1975-1980
Ecole Nationale Supérieure des Beaux-Arts de Paris
1980-1981 
Whitney Independent Studio Program, NYC
Solo Exhibitions
2026“Never Any Ever After”, Columbia Global College, Reid Hall, Paris.&#38;nbsp;

2023 “Chance Encounters”, North Loop gallery, Williamstown, MA
“Brigitte Engler: New American Abstract Painting” curated by Chris Kraus, SPRING/BREAK ART SHOW, LA, CA
2020 “one way street”, solo exhibition, SPRING/BREAK ART SHOW 2020, NYC 

 “New American Abstract Painting”, solo exhibition, Key Club, NYC
2017
"gutter gleaners “, solo exhibition presented by Cynthia Sley, SPRING/BREAK ART SHOW 2017, NYC
2016
"folding/unfolding", solo exhibition curated by Alexandra Rojas, Bullet Space, NYC. With additional performance by Aurélia Thiérrée.

 "Le Pli Baroque", solo exhibition in partnership with a French governmental ecological agency, Tidal mill of Pen Castel, Morbihan, France. (reviewed in Ouest-France and Le Télégramme)
2015
"graffiti imprints", solo exhibition, Max Fish, NYC
2014
"matière et mémoire", solo exhibition, fabric installation in the tide, Tidal mill of Pen Castel, Morbihan, France (Interview In Ouest France and Le Télégramme)
2013
"Imprints", solo exhibition in the context of the cultural event “ Ceci n'est pas” : art between France and Los Angeles, PØST, LA http://cnp-la.org/event/post-la

"Nature Artificielle, Artifice Naturel", solo exhibition curated by Young Chung, Commonwealth and Council gallery, Koreatown, LA&#38;nbsp;

2010
“traces écrites”, solo exhibition, Galerie Gordon Pym &#38;amp; fils, Paris, France. With additional reading performance by Sylvère Lotringer. Catalogue essay by Emmanuelle Guattari

1999
Solo exhibition, in the context of “Côte Ouest”, PØST, LA, Ca ( written up by Chris Kraus in Art&#38;amp;Text), with additional reading performance by Sylvère Lotringer

1993
plywood paintings, solo exhibition, World Tattoo Gallery, Chicago, Il
1992
plywood paintings, solo exhibition, Richard Anderson Fine Arts, NYC (reviewed by David Ebony in Art in America)1986Solo exhibition, The New York Public Library, Tompkins Square Branch (listing and photograph in PAPER magazine)


Group exhibitions
2025
Creative Time, “Listening Room” curated by Aki Onda
2024
Salon Zürcher, 100 Women of Spirit, Zürcher gallery, NYC

2023
SPRING/BREAK ART Show, The Secret Show, NYC
2022The Moore family collection curated by Michael Flanagan, MAD, MKE


2021Zürcher gallery: 11 women of spirit, Part 4
The Moore family collection curated by Michael Flanagan and Kimberly Storage,&#38;nbsp; Walker’s Point Center, MKE
2020“NoMore Store”, group show, James Fuentes Online

2019
“a cumulative tale”, curated by Robin Winters and Brigitte Engler, SPRING/BREAK ART SHOW 2019, NYC

2018
“Walking through Downtown New York”. 3 person show, Jonas Mekas, Brigitte Engler, Pat Place. Presented by Laura Bloom. SPRING/BREAK ART SHOW 2018, NYC

"Transferts de Manhattan”, Brigitte Engler’s artist book collaboration with art critic-writer Gilles Froger in 2 person show with Jane Dickson curated by Tom Wolf, Stevenson Library. Bard College, Annandale-On-Hudson, NY

2017
“This and That”. 2 person show. Brigitte Engler and Justen Ladda. NTN gallery, NYC

2016
"A More Store ", Printed Matter, NYC

2015
"Places and Things”, 4 person show, Peggy Cyphers, Jane Dickson, Brigitte Engler, Marguerite Van Cook, Dorian Grey gallery, NYC

2014
"D(raw)", group show, Bullet Space, NYC
2011 
"A Show about Collab (and other related activities), Printed Matter, New York

2010
Group show curated by Thom Corn, Tribes Gallery, NYC

2009
“Nincompatibles”, 3 person show, Brigitte Engler, Richard Hell, Walter Robinson, Bowman/Bloom Gallery, NYC (interview and photographs in Awanted magazine). Reviewed by Michele Tea in SFMOMA blog. Reviewed by Charles Finch in Artnet magazine.
2008
“The Beast in Me”. Bowman/Bloom Gallery, NYC
2007
“Swipple”curated by Jason Wright. Eastern Michigan University, MI.
2005
“East Village Vintage”. Hal Bromm Gallery, NYC&#38;nbsp;
“East Village ASU”. B.Side Gallery, NYC
1998
“In the detail” curated by Kiki Smith, Barbara Gross Gallery, Munich, Germany
Graphic Abstraction, curated by Carlo McCormick. Avalanche Solutions, NYC

1997
“Gardens of Urban Delight”, Henry Street Settlement gallery, NYC
1996
“Neo-conceptual art” curated by Anastasia Auckerman. Artists Space, NYC.

Group show. Livestock Gallery, NYC
1995
“City Folk” curated by Carlo McCormick and Aaron Rose. Holly Solomon Gallery, NYC

1994
“Songs of Retribution”, curated by Nancy Spero. Richard Anderson Gallery, NYC
1992
Two person show. Andrea Belag and Brigitte Engler. Richard Anderson Gallery, NYC (reviewed in Arts Magazine)
Group show curated by Marguerite Van Cook. Ground Zero Gallery, NYC
“Multiple show” curated by John Drury. Max Fish, NYC

“Miauhaus” curated by Gottfried Tollmann. Thread Waxing Space, NYC ( reviewed by Kim Levin&#38;nbsp; in the New York Times)

1990
“Burning in hell”, a show of artists books curated by Nancy Spero. Franklin Furnace, NYC
1989
“Nepotism show” curated by Mike Osterhout. Hallwalls, Buffalo, NY
“Tracers” curated by Carlo McCormick. Zero One Gallery, LA, Ca
1985
“Anni Ottanta” curated by Renato Barilli and Flavio Caroli. Museo di Arte Moderna, Rimini, Italy (450 page catalogue)
“Five French Artists living in New York” curated by Charlotta Kotik and Lynn Gumpert&#38;nbsp; French Cultural Services, NYC
1984
“A more store” Jack Tilton Gallery, NYC.

Group show. Altos de Chavon, Dominican Republic
1983
Fashion Moda, Bronx, NYC ( reviewed by William Zimmer in the New York Times, Westchester section)
“Subculture” organized by Group Material in the advertising spaces of subway cars, NYC


Press

2023https://www.tartarusmagazine.com/blog/https://vernissage.tv/2023/02/16/spring-break-art-show-los-angeles-2023/

2021  https://www.haberarts.com/armory21.htm
2016Ouest France, May 2016Le Télégramme, May 2016
2014
Ouest France, May 2014

Le Télégramme, May 2014
2013
The Huffington Post, artist blog, Feb 2013, Imprints of Sidewalk Grafitti.
2009 
Interview for Awanted magazine (2 photographs)

Review of the Nincompatibles show in SFMOMA blog by Michelle Tea

Charles Finch’s article on the Nincompatibles show for Artnet
1999
Art/Text, by Chris Kraus
1992
Art in America. Review of one person show by David Ebony

New-York Times. Review of group show by Kim Levin
Paper Magazine
1991
Arts Magazine. Review by Peggy Ciphers
1989
Nepotism catalogue. Hallwalls
1985
Anni Ottanta (350 page catalogue)
Paper Magazine
1984
Village Voice
Listing Diario Magazine, Dominican Republic
1983
The New-York Times . Review by William Zimmer
Publications and artist projects
2025
Artist publication: The Emperor Penguin and The Toothed Whale

2022
Artist publication: Live Painting and Indigo Workshops at the Green Oasis and Gilbert’s Sculpture Garden/ distributed by Printed Matter.
https://brooklynrail.org/2022/03/in-memoriam/A-Tribute-to-Sylvre-Lotringer. Tribute to Sylvère Lotringer by Brigitte EnglerExquisite Corpse collaborative drawing with Richard Hell and Walter Robinson commissionned by Lisa Bowman for her artist book “Lisa Bowman: Cadavre Exquis” reviewed by Matt Stromberg in Hyperallergic.&#38;nbsp;
https://hyperallergic.com/754882/lisa-bowmans-exquisite-corpse-makes-connections-through-the-mail/
2016Printed Matter. A book about Colab (and Related Activities).
2012
"Let's get lost" , writing piece commissioned for the website of the exhibition “Ceci n'est pas…” http://cnp-la.org/lets-get-lost/ &#38;nbsp;
2007
Made magazine. Artist project in collaboration with Sylvère Lotringer, curated by Chris Kraus, published by Columbia Magazine
1994
 Pataphysics, Australia. Prints by Brigitte Engler commissioned for “Never Any Ever After” to accompany an autofiction by Sylvere Lotringer.
1993
Pataphysics magazine, Australia. Collaboration with Sylvère Lotringer. Prints by Brigitte Engler.1990
 Artist book “Ode to Pan”, prints and poems by Brigitte Engler/ curated by Nancy Spero in “Burning in Hell” at Franklin Furnace/ John Flash artists’book collection/ Women artists archives national directory.&#38;nbsp; School of The Art Institute of Chicago, Ill.

Art Fairs
2024
Zurcher gallery, NYC. 100 Women of Spirit ( catalogue essay by art historian Véronique Chagnon-Burke).
2023SPRING/BREAK ART FAIR 2023, LA

2021 Salon Zürcher: 11 women of spirit, part 4at Zürcher gallery, NYC

2020
SPRING/BREAK ART FAIR 2020, NYC
2019 
SPRING/BREAK ART FAIR 2019, NYC

2018SPRING/BREAK ART FAIR 2018, NYC

2017
SPRING/BREAK ART FAIR 2017, NYC2005
Miami Art Basel. Jack Tilton Gallery, FL2000
 Meat Market Art Show, Arena&#38;amp; Feed Gallery, NYC
Grants, Awards, Residencies
2026
Emily Harvey Foundation, Venice, Italy. Artist in Residence.
2023Creative Engagement grant, Lower Manhattan Cultural Council, NYC


2021 New York Foundation for the Arts/ City Artist Corps grant, NYC&#38;nbsp;
2019
“Acker Award” for her contribution to the Downtown art scene, NYC2009
Nominated for the Tiffany Foundation Prize (short listed)2001
Nominated for the Tiffany Foundation Prize (short listed)
1992-2001
Charas/ El Bohio. Artist in residence.1986
Tompkins Square Library. Artist in residence.1984
Altos de Chavon, Dominican Republic. Artist in residence.1981&#38;nbsp;
 Lower East Side Printshop. Key Holder residency.
1977
Beaux-Arts School of Athens, Studio Art residency.
Artist Talks 
2026&#38;nbsp;
Columbia Global College, Reid Hall, Paris. “Never Any Ever After”, presentation of an artist project in collaboration with Sylvère Lotringer following a conversation in between François Cusset and Elie During around the life and work of Sylvère Lotringer referencing 2 publications by François Cusset “La French Theory” and “Sylvère” .&#38;nbsp;
2025 
Creative Time, Sonic Commons, “Listening Event” curated by Aki Onda
2022NIAD Art Center, Richmond, Ca

2018 
Bard College, Annandale-on-Hudson, NY


Art Reporting1984-1994
Art columnist for PAPER magazine1983
 Art columnist for Ici New-York, a French monthly

Collections

John Flasch Artists’ Book Collection/ Women Artists Archives National Directory-School of the Art Institute of Chicago, Il. The Beth Rudin DeWoody collection, the Shelly and Vincent Fremont collection, the Tom Otterness and Coleen Fitzgibbon collection, the Sharp Museum at Sounthern Illinois University (Alan Moore family collection), the Estate of David Wojnarowicz.


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